Fujinon XF 50-140mm F2.8 Review + 25 Images

There’s a quote by Robert Capa, a famous Hungarian–American war photographer and photojournalist, that says, “If your pictures aren’t good enough, you’re not close enough.”

But I’m not sure I agree.

Since I learned to become a photographer at the Defence School of Photography, I’ve enjoyed longer lenses, especially with wider apertures.

My mantra is typically long focal lengths and wide apertures.

Longer focal lengths provide a different perspective than shorter ones because the only thing that affects perspective is one’s proximity to the subject.

With longer lenses and their perspective, you get a different, often more flattering, view of the world, which is why I love the Fujinon 50-140.

Interestingly, as I look through my archive to find pictures for this review, I see that the Fujifilm 50-140 f2.8 is my most used lens.

This year alone, the 50-150mm has been used 34% more than the next most used lens (XF35mmF1.4R), and around 1/3rd of all the pictures I’ve taken have been on the Fuji 50-140.

It’s a firm favourite in my travel photography gear line-up and minimalist travel photography gear.

I will keep this review as brief as possible.

I’m not interested in the details, partly because few alternatives to the Fujinon XF 50-140 meet my needs.

The only alternative is the Fujinon XF 55-200mm f/3.5-4.8 R LM OIS, but I’m not keen on the variable aperture.

However, I see the appeal – more extended range, smaller and lighter.

But not having used it, there is likely to be a compromise somewhere other than just the aperture.

And, as they say – a picture paints a thousand words, so I hope the imagery throughout this review will do the talking as well as I can at justifying the prowess of this lens.

This is a professional-grade lens that I’ve been confident shooting on for several years.

I first used it when I was working as the Official Photographer for the UK Prime Minister at 10 Downing Street.

If it is good enough to use there, it will be good enough to use wherever you want to take it.

Fujinon XF 50-140mm

If you’re searching for a high-quality zoom lens for your Fujifilm camera, look no further than the Fujinon XF 50-140mm lens!

Despite the Fuji 50-140 focal length, it’s surprisingly versatile, especially for travel photography.

It’s hard to fit in a ton of pictures here.

I’ve tried to cram as many in as I can, but if you’d like to see more photos than what’s in this review, take a look at the following posts: Mudchute Farm, Shropshire Sculpture Park, Trentham Monkey Forest, Cleopatra’s Needle, London Zoo, Milan, and Kew Gardens.

And in a nutshell, here are the pros and cons of the Fujinon XF 50-140 lens before we get into the meat of the review:

Pros

• Solid build quality and weather-resistant construction
• Fast maximum aperture of f/2.8
• Excellent optical quality
• Effective image stabilisation
• Fast and accurate autofocus

Cons

• Poor lens hood fixture
• Higher price point
• Slightly weighty for a travel lens

The Fujinon XF 50-140 lens is designed for Fujifilm’s X-Series mirrorless cameras, such as my beloved Fujifilm X-T5.

It’s a zoom lens that covers a focal length range of 50mm to 140mm, equivalent to approximately 76mm to 213mm in 35mm format.

This makes it a versatile lens for various shooting situations, from portraits and sports to wildlife photography.

However, my primary use is for travel photography, for which it’s surprisingly useful and complements my travel photography gear very well.

As I said, it provides a perspective you might not be able to achieve without a heavy crop on a wider lens because it gives you that bit of extra reach.

If you’re wondering, these are what the letters mean in the lens name :

R = Ring – the lens has an aperture ring

LM = Linear Motors

OIS = Optical Image Stabiliser

WR = Weather Resistant – the lens has weather-sealing components

Build and Design

The lens has a solid build quality with durable metal construction, which you’d expect from Fujifilm.

It has the classic feel of a Fuji lens and that familiar aperture ring I love, which is lacking on my Sigma 56mm and something I miss when shooting on it.

The Fuji 50-140 is also weather-resistant, with seals at 20 points to protect against dust and moisture – handy when you’re into travel photography, especially in the UK, where we seem to get quite a bit of rain!

Another benefit is a maximum aperture of f/2.8, which remains constant throughout the zoom range.

This is advantageous if you’re looking to use this lens in low-light conditions.

I shoot almost exclusively wide-open because depth of field is an essential consideration for me and my shooting style, so this lens was my only choice for a telephoto lens.

Despite loving this lens and having it fixed to my camera most of the time, there is one thing I don’t like about it: the lens hood.

It looks great on the end of the barrel – sleek, I’d say, but it’s terrible to remove and refit.

It doesn’t have a button release. It simply screws on, which often isn’t simple at all.

Ha.

I prefer something with a bit more slack and a button release, but as the saying goes, beggars can’t be choosers.

However, it’s still the worst part of the lens, in my opinion.

Performance

The sharpness of this lens is impressive, even at the maximum aperture of f/2.8, which is the aperture I shoot at 99.99% of the time.

Another interesting fact is that when looking through the archive for pictures taken with this lens, I can only find three that weren’t taken at f2.8, which was probably a mistake.

I suspect I knocked the aperture ring by accident. Ha.

It can’t be locked off, you see.

Except for the following two shots, every other picture throughout this review has been shot at f/2.8.

So, here are a couple of pictures at f8 and f5.6, respectively.

Anyway, back to the optics.

The centre of the image is sharp and detailed, and that’s all there is to say about that.

You will be satisfied with this lens’s optical performance.

I don’t shoot at other apertures enough to comprehensively review higher apertures.

You won’t notice any problems with the other performance elements, such as distortion, chromatic aberration, and vignetting.

The Fujinon 50-140 is a high-quality lens and will perform well enough for what you could want it for.

So, let’s talk about the other vital bits – autofocus and image stabilisation.

Autofocus

Thanks to its linear motor, this lens’s autofocus is virtually silent, fast, and almost always totally accurate.

It never skipped a beat when I coupled it to the Fujifilm X-T2, but since using it on my X-T5, I’ve noted it misfocus once or twice, but it’s rare.

It’s pretty strange, and the number of times it’s not nailed focus is few and far between.

This begs the question of whether it’s a camera or lens focus issue.

But despite where the fault lies, the autofocus is generally excellent and something I can trust.

Stabilisation

The lens features optical image stabilisation, which reduces camera shake in normal shooting conditions.

The stabilisation works with in-body stabilisation and equates to around five-stop image stabilisation inside the lens alone and up to six stops when mounted on a camera with in-body image stabilisation, such as the Fujifilm X-T5.

The image stabilisation in this lens is impressive and very useful for reducing your ISO rating if you’re shooting in low light or with slow shutter speeds.

There’s a strange noise emitted from the Fuji 50-140 when you turn the camera on, which I thought was image stabilisation or autofocus, but it’s neither.

I have tested with image stabilisation off and all AF modes off, and nothing made a difference.

Despite an online search, I can’t find a reason for this happening—the noise appears normal on this lens.

Under normal circumstances, you won’t hear it, but if you’re in a quiet space, you will.

Specifications

For those of you who are interested, here are the lens specs. 

Lens configuration	23 elements in 16 groups
Focal length	50-140mm (76-213mm in 35mm format equivalent)
Angle of view	31.7° – 11.6°
Max. aperture	F2.8
Min. aperture	F22
Aperture blades	7
Focus range	1m – ∞
Max. magnification	0.12x
Dimensions	82.9mm x 175.9mm (diameter x length)
Weight	995g
Filter size	72mm

Fujinon XF 50-140mm FAQs

Is the Fujinon 50-140 worth buying?

If you are considering buying it, the answer is yes. It’s a great lens with a surprisingly wide range of uses, whether for street photography, travel, or portraiture. The optics are excellent, as are the built quality, autofocus and optical image stabilisation. Despite being made for Fujifilm APS-C cameras, you are getting a professional-grade lens that will deliver quality results.

What is the full frame equivalent of Fujinon 50 140?

76-213mm is the equivalent focal length in 35mm format.

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